Yamaha "CP300 Piano"

!±8± Yamaha "CP300 Piano"

The CP300 is the best sounding digital piano I have played so far, and I have played most of them. Here is one of my own songs that I recently composed on the CP300.

Yamaha "CP300 Piano"

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!±8± Yamaha P155 Contemporary Piano with Mahogany Top Board, Black

Brand : Yamaha | Rate : | Price : $999.99
Post Date : Dec 25, 2011 15:47:05 | Usually ships in 24 hours

Yamaha P155 Contemporary Piano with Mahogany Top Board, Black

• 88-note, GHE (Graded Hammer Effect) weighted-action keyboard
• 128-note polyphony
• Dynamic Stereo Sampling - 4 separate layers of stereo samples
• Key-Off Sample plus Sustain Sample for acoustic piano realism
• Emulates the soft/half pedaling and damper effects of an acoustic

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Yamaha P155 Contemporary Piano with Mahogany Top Board, Black

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Yamaha CP50 Stage Piano

!±8±Yamaha CP50 Stage Piano

Brand : Yamaha
Rate :
Price : $1,699.99
Post Date : Dec 19, 2011 21:14:21
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The CP50 take the core sounds and technology of the CP1 , but it's flexibility and portability make perfect for the working pro on the go. The CP50 adds a wide range of sounds to the CP1. Clavs, organs, strings and more make the CP50 perfect for church, school and live situations where everything needs to be performed on one keyboard. The CP50 features not only Virtual Circuit Modeling effects, but many effects taken from the Motif XS line of Synthesizers.

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!±8± Roland RD-300NX Stage Piano (Standard)

Brand : Roland | Rate : | Price : $1,799.00
Post Date : Dec 10, 2011 10:06:34 | Usually ships in 24 hours

Roland RD-300NX Stage Piano (Standard)

• SuperNATURAL Piano sound engine
• New E. Piano sounds based on SuperNATURAL technology
• Innovative Sound Focus feature ensures that every note will be heard in the mix without compressing or coloring the sound
• New Ivory Feel-G Keyboard with Escapement
• Intuitive U/I - new One Touch Piano feature and graphic LCD

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Roland RD-300NX Stage Piano (Standard)

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3 4 Guitar Reviews - A Guide To The Top 3/4 Sized Acoustic Guitars

!±8± 3 4 Guitar Reviews - A Guide To The Top 3/4 Sized Acoustic Guitars

Okay, your child or teen is hankering for a 3 4 acoustic guitar so that they could be just like their idol Miley Cyrus. You've looked at the guitar review internet sites on the internet, but you still have no idea which model to buy since most of the discussions about fretboards, sounds, tuning pegs, and other alien-sounding words keep flying over your heads. In all honesty, searching for that best musical instrument is a quest in itself.

Through the many 3 4 acoustic guitar reviews, let's attempt to narrow these considerations down a bit...

FENDER. Fender is one manufacturer being advised. While the Fender CD-140S and the Fender DG-8S make for ideal beginner guitars, it is not a durable instrument so that the player would need to upgrade to a better instrument.

HANNAH MONTANA ACOUSTIC GUITAR. The Hannah Montana Acoustic Guitar may be highly desired because of its ties with the well-known Disney TV series and Miley Cyrus, but like the Fender, the player would need to upgrade to a better sounding instrument. Many musicians mention that the better instrument for young girls is the guitars of Daisy Rock.

BABY TAYLOR 3/4 SIZE DREADNOUGHT. Another guitar that is tied with a pop icon, which in this circumstance is Taylor Swift, is the Taylor Swift Baby Taylor 3/4 Size Dreadnought. Generating better sound in comparison with the Hannah Montana Acoustic, the Taylor Dreadnought has a slimmer fingerboard that enables simpler usage for a child's little hands.

DEAN PLAYMATE. Another recommended guitar is the Dean Playmate though it has been regularly obtaining mixed evaluations. Many users get disappointed with the guitar because it is hard to tune and its quick propensity to go out of tune.

SQUIER MA1. In various review websites, the Squier MA1 3/4 Size Acoustic Guitar is another guitar model being mentioned. Though it's quite cheap at 0, its features are high-quality. In reality, it's one of the ideal sounding guitars that are offered now. Players also compliment it for its sturdiness.

SEAGULL S6. The beginner acoustic guitar that has received the top scores is the Seagull S6. Though more on the expensive side, this guitar makes a great long-term investment with fantastic sound, easy tuning, and resilience.

How about guitar strings?

Of course, just like choosing the right guitar, it is also very essential to pick the suitable guitar strings. In the end, an acoustic guitar will not sound as excellent if the right guitar strings are not employed. D'Addario is the leading manufacturer of guitar strings which many musicians prefer and the manufacturer has a range of strings for various guitar models.

Created from the best materials, D'Addario strings ensure minimal discomfort while strumming, pressing or plucking, making it less detrimental to young, delicate fingers.

3 4 Guitar Reviews - A Guide To The Top 3/4 Sized Acoustic Guitars

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Review - Yamaha CP33 Stage Piano

!±8± Review - Yamaha CP33 Stage Piano

The Yamaha CP33 Digital Stage Piano is the entry digital piano in Yamaha's professional stage piano lineup. This is basically the same piano as the Yamaha CP300 but about 00 cheaper. The CP33 is a large step up from the P-series units in both sound and feel.

This piano is perfect for a professional gigging musician or an amateur that wants a serious digital piano. Let me cut to the chase - the sound is vibrant, sparking and authentic. You can actually hear harmonic overtones and felt dampers when using the pedal. I had the privilege of finding one for sale at my local music store (these pianos are hard to find) and the sound was so sweet and inspiring I had to drag myself away from the keyboard.

Not only does a piano have to have a magical sound that will inspire you to keep playing it also needs to be responsive to your fingers. Well let me tell you, the CP33 feels great. This piano has impressive keyboard action that really lets you express yourself thanks to their advanced Graded Hammer Effect technology that gradually increases the resistance of the keys as you hit the lower notes. As a serious musician realistic piano action is very important to me and the Yamaha CP33 gets top marks here.

All in all, the Yamaha CP33 stage piano is a very balanced digital piano suitable for the professional musician. Sure there are many fine digital pianos out there that cost less but if you can afford it, it's truly worth the few extra hundred bucks -- you'll thank me in the long run.

The CP33 is one classy digital piano for the serious pro musician and the amateur alike. This keyboard is an investment that you'll never regret.

Review - Yamaha CP33 Stage Piano

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Yamaha CP1 Stage Piano

!±8± Yamaha CP1 Stage Piano

Brand : Yamaha | Rate : | Price : $4,999.99
Post Date : Nov 28, 2011 05:15:14 | Usually ships in 24 hours

Yamaha CP1 Stage Piano

The development of the new CP series started with the no-compromise CP1. This is a premium instrument with a commitment to both tradition and innovation. The core sound technology inside the new CP Series was completely re-designed from the ground up. A unique new Spectral Component Modeling tone generation system recreates the sound of acoustic and vintage electronic pianos more faithfully than anything else has ever done. This new technology responds to the player's touch allowing more creative expression than ever before possible. Yamaha even developed a special NW-STAGE wooden key action specifically to meet the demands of top pros. Simply put, this combination of touch and tone make the CP1 the most expressive stage piano that has ever been created.

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Yamaha Hardshell Case For CP300, P250, P200

!±8± Yamaha Hardshell Case For CP300, P250, P200

Rate : | Price : $449.99 | Post Date : Nov 26, 2011 15:23:31
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Deluxe hardshell molded case for CP300

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The Piano's Key Mechanism System - Part 1

!±8± The Piano's Key Mechanism System - Part 1

The piano, while similar in some of its features too many other kinds of musical instruments, differs materially in several important points from all other kinds. It resembles the Violin, Harp, Guitar, Zither, Dulcimer, in its being stringed. It resembles the Drum, Triangle, Cymbals, Tambourine, Dulcimer, in its being dependent on percussion for the production of its tone; and it resembles the Organ, Clarinet, Concertina, in its being keyed.

But it differs from all of these instruments in the following important points. Firstly, in its being dependent on the player's method of finger push on the key for its quality of tone. Secondly, in its being dependent on rapidity of finger push for its quantity of tone and thirdly, in its being dependent on keys for the means of producing percussion. The actual mechanism of percussion, namely, the hammers, being reachable only through the pressing of the keys.

It is probably from a want of appreciation of this last fact, that the piano has come to be considered rather as a keyed instrument than as a stringed one.

The distinctive feature of the piano is, then, the system of its key mechanism.

As the seat of tone, the wire, is made to sound only by a series of communication, starting with the key, it is therefore necessary to understand the method by which this communication is conducted and kept open.

The piano key is, basically, a lever that's lifts the hammer that strikes the string. It is a lever of the first class, its fulcrum, or prop, lying between the power and the weight. In the case of the piano, this fulcrum, or centre on which the lever works, is placed about halfway between its two ends, the hammer (with some small intermediate mechanism) being the weight, and the finger the power acting on it. The very limited area should be noticed within which the action of the key is confined.

The immediate factor of tone is the hammer. The hammer, by means of intermediate mechanism, being in direct and close contact with the far end of the key, is raised when the near end is depressed by the finger or any weight; and the force with which the hammer is made to strike the string is in proportion to the speed brought to bear on the piano key by the finger at the moment of the push. Quantity of tone is thus the result of the amount of speed used in pushing the key down.

When the string has been struck by the hammer, the hammer falls back immediately, to allow the string to vibrate freely. This fall back of the hammer is, however, not a return to the position occupied by it before the stroke; it does not fall completely back until the key is allowed to rise. When the key rises, the hammer then falls back into its original position, and thus is ready to make a fresh stroke.

It is of great importance for the student to remember that the hammer is always at some distance from the wire. Except during the very short period of time spent in striking; that after having struck the wire it leaves it instantaneously to assume the half position described above; and that it is powerless to do any more work until after the key has been allowed to rise.

The Piano's Key Mechanism System - Part 1

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Yamaha Stand For CP300

!±8± Yamaha Stand For CP300

Brand : Yamaha | Rate : | Price : $179.99
Post Date : Nov 23, 2011 01:02:34 | Usually ships in 24 hours

Yamaha Stand For CP300

Deluxe stand for CP300

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!±8± Fur Elise (Cover) Bad Hair Day

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Yamaha Speaker Stands - Durable and Sturdy

!±8± Yamaha Speaker Stands - Durable and Sturdy

Yamaha speaker stands are tripod stands that typically come in a pair. These aluminum units are lightweight but durable and sturdy. They weigh only five pounds each, and can safely hold seventy pounds of weight each. These stands are typically used for Yamaha STAGEPAS 300 speakers, as well as other compatible speakers with a 1 3/8" tube. Their height is adjustable. The stand has a safety support pin and dual locking clamps for the secure mounting of your equipment at an adjusted height.

The units are highly portable - they collapse and fit into their canvas carry bag (the bag is typically included with the package). They are also highly ergonomic and versatile, as any tripod design. These stands are great for use at various events where they may need to be moved often. They are commonly used by mobile DJs, gigging bands, and houses of worship. They are easy to adjust and move around. The units typically come with a one year warranty.

These stands can also be obtained for free with some of the Yamaha speakers, such as the S115V - a popular 15 inch club-type speaker. This speaker has an excellent low-frequency performance, higher power handling, a great horn, and strong grilles. This rugged cabinetry produces clean powerful sound and comes at an excellent cost. The durable and well made S115V speaker weighs around 60 lbs. If you already have this speaker but for some reason don't have a stand for it, then matching Yamaha speaker stands can help you move your music to the next level of performance.

Yamaha Speaker Stands - Durable and Sturdy

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The Piano - Key, Hammer And String - Part 2

!±8± The Piano - Key, Hammer And String - Part 2

When a key on an acoustic piano is pressed down, the resulting sound continues for a considerable time after the press of the key has taken place, and stops when the key is released and allowed to rise. This elimination of sound is caused by action of a second piece of piano mechanism, called the damper. The dampers are small pieces of wood with felt attached to them.

This mechanism is so connected with the key that the latter cannot be moved without occasioning a movement of its own damper. Each key is thus the means by which both a hammer and a damper are moved to action, the hammer for producing tone, the damper for stopping it. (In the case of a few of the top keys of the piano, the damper mechanism is wanting.)

The damper lies constantly touching the string, except during the holding down of the key, when it is removed from its place and kept off the string as long as the key is held down. After a pushdown of the key, if the key is kept down, it will be noticed that (1) the hammer resting at its half-position and (2) the damper removed from the string. When the key is allowed to rise, the hammer falls completely back, and the damper returns to the string, and, by touching it, stops the tone.

If there were no provision for the stoppage of tone, the effect of any performance would be the same as that produced when the right foot pedal is held down during playing. The putting down of the pedal causing the removal of all the dampers from the strings, and creating in consequence the effect as of each separate sound floating about among all the others.

In the case of the hammer, it was pointed out that its complete work is finished in the shortest possible time, that it is finished instantaneously, and that although the key be kept down (and therefore may be understood to be fulfilling some function), still nothing more must be expected from the hammer.

It will be remembered that the key has two mechanisms depending upon it, namely, that for producing the tone, and that for stopping it. As long as the key is held down, it is doing a part of its work, as soon as the key is allowed to rise a change takes place and the tone stops.

It has been already shown that the work of the hammer is completed at the moment of the stroke. It must therefore be the work of the damper which the keeping down of the key is instrumental in furthering. As opposed to the hammer's work being finished as soon as the key is down, the work of the damper is not completed until the key rises. The work of the damper is to stop the tone; and as that stoppage cannot take place until the string is re-touched by the damper, which touch cannot take place until the key comes up; the work of the damper is therefore not finished until the key is allowed to rise.

The positive action of the hammer takes place when the key is pushed down. The positive action of the damper takes place when the key is released and allowed to rise. The negative action of both hammer and damper, namely, their leaving the string, gives the latter freedom to vibrate after the stroke. While therefore both the hammer and the damper begin their work at the same moment, they complete it at different times, the hammer instantaneously, and the damper not until the piano key is allowed to rise.

All work done between the completion of the hammer's work and the completion of the damper's work is done by the sounding board of the piano; but as this intermediate work is altogether beyond control of the finger, it cannot come under any consideration concerning the manner of touching the keys.

The Piano - Key, Hammer And String - Part 2

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Yamaha CP300 Stage Piano

!±8± Yamaha CP300 Stage Piano

Brand : Yamaha | Rate : | Price : $1,999.99
Post Date : Oct 29, 2011 18:30:24 | Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your credit card will not be charged until we ship the item.

Yamaha CP300 Stage Piano

Like all fine instruments, the CP 300 simply begs to be played. Sit down with one, and the instrument becomes an extension of your hands and your musical imagination. The authentic piano voices and rich expressiveness come alive at your touch, and the sound is big enough to blast through a full band onstage - yet nuanced enough to work magic in an intimate club. Yamaha's extensive experience in crafting fine acoustic pianos helps us in creating the ultimate digital pianos. Our advanced Graded Hammer Effect (GHE) action gives all keys an authentic resistance that increases from the top register to the lower - just as on an actual acoustic piano. Which means that you can naturally pound out thunderous low notes with your left hand and let the fingers on your right dance and fly with the high notes. In crafting the authentic sound of the CP series, we used meticulously recorded stereo samples of top-quality instruments, taken at various playing strengths, and included subtle elements such as String Resonance, Stereo Sustain, and even Key-Off Samples that capture the felt dampers muting the piano strings - providing the most authentic sounding and finely nuanced acoustic piano voices possible. The CP stage pianos are also master keyboard controllers that give you full command of your gear. Play and control external tone generators. Assign different voices to different keyboard sections and create multi-textured layers of sound. Four instrument Zones on the CP300 with panel sliders, let you easily tweak the level of each instrument as you play. You can also freely reassign the sliders and wheels to control other sonic characteristics of your gear, such as sound attack, decay, brightness and filter cutoff. The CP300 features professional quality balanced XLR output connectors. These give you the cleanest, clearest noise-free signal - both for serious recording in the studio, and playing onstage where long unbalanced cables may compromise your sound.

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